The Midnight Manuscript

 


Chapter 1: The Boy with Ink-Stained Hands

It was in 1643 when Lahore was in the zenith of the Mughal Empire, a jewel of art, poetry and intrigue. The Grand Library was a refuge to which not many people knew of and it was hidden in between the marble halls and domes of the imperial palace. The and death-dew scrolls and manuscripts of all Hindustan were here, and it was here that a lad called Zameer lay his days a-crouch over parchment and forbidden ink. Zameer was a lad of sixteen, and sharp as a scholar in his memory, and as dangerous as a blade in his curiosity. Being orphaned in a famine at Multan, he had been brought up by Master Farhad, the royal calligrapher, who realized that he had an unnatural skill in reading old Persian and Sanskrit, not to mention Syriac. Zameer did not want to write official histories or to copy royal decrees. He used to creep into the forbidden area, where scrolls sealed with the Emperor seal were stored. It was there he discovered the manuscript--in a midnight-blue binding, wax-sealed, and with the word Naqsh-e-Khoon--The Blood Design, written on it. He was not allowed to touch it. Yet the wax was already broken.


Chapter 2: Whispers in the Scroll Room

Later at night, when the palace was silent and the chandeliers were lighting dimly, Zameer went to the library. He struck one of his oil lamps, and drew the manuscript off the shelf. When he turned over its old leaves the room seemed different. The ink glimmered rather than black. it was not poetry or prose, but a confession, by an unknown courtier, and related to a conspiracy to dethrone the Emperor Shah Jahan. Every page had secrets: secret alliances, names of traitors, codes hidden as poems. The same name recurred everywhere--Aftab Beg, a very strong noble, and a intimate relative of the imperial family. But the betrayal was not what Zameer found most disturbing, it was that line that sounded like a curse repeating itself in the margins: Only one with ink-stained hands shall awaken the truth. The paper appeared to answer Zameer. Certain lines would show themselves when he touched the page only. Others dissolved and came back as though in the night. He had ceased to read a book. He was reading the book.


Chapter 3: The Blood Letter

One week after, Master Farhad fell when he was offering his morning prayers. His hand had been covered with red, but not with ink, but blood. The court doctors asserted it to be poison. Others murmured that it was punishment of the gods. Zameer alone was better informed. A torn sheet of the midnight manuscript was found in the satchel of Master Farhad, wrapped in a prayer-cloth-written to Zameer, son of no name. It said, they are spying. The truth thou has discovered, must not come to light, or many will go down with me into silence.” Zameer had a panic in his chest. Had he read the manuscript, Farhad should have attempted to save him. That shelter had taken his life. That night Zameer escaped out of the palace and carried the manuscript under his robes. He was not willing to risk remaining. The same person who had silenced Farhad would definitely come after him. Yet before going, he pushed one thing underneath the body of Farhad-- a jasmine flower, the favorite of Mira.


Chapter 4: The Princess in the Window

Zameer could think of a single person who could possibly make sense of the power of the manuscript, Princess Mira, the daughter of Emperor Shah Jahan. Mira was non-political and non-pious unlike her siblings. She was a poet, shut up in a tower of her own palace, and was able to write verses which even the Emperor himself had read with amazement. Years earlier they had met when Zameer had brought a book of Persian ghazals to her chamber. After that, they shared poems in the spine of books, words that were never uttered but drenched in desire. Mira, who was a princess, knew more of forbidden knowledge than others. He climbed into the wall of her garden in the early morning. And she waited, as who had dreamed that he would come back. Her hands shook when he put the manuscript in her lap. She had seen it before, she whispered. My mother had a copy. It is not history--it is prophecy, said she.” Zameer looked at her. Prophecy of what? Of blood moon. Of fire. As of a betrayal in invisible ink.”


Chapter 5: The Cipher of Flames

Zameer and Mira worked on the manuscript in secret for days. Over the firelight and warm breath new verses were discerned--coded words, charts, even ancient maps of secret palace rooms. There was one verse which Mira could not finish: the name of traitor shall burn all alone in the garden beneath the tomb, where seven jasmine trees guard stone. That night they discovered the tomb--an old forgotten tomb beneath the garden of Shalimar. Around a stone platform there were seven jasmine trees. It consisted of a single scroll which was hidden in a copper urn beneath it. And on it were written the names of the conspirators, and the list was bound up in blood. And there at the bottom of the wax burned a name known to me: Mira. Mira reeled. “My name… Why?” Zameer gazed at her with pounding heart. Unless, it is not you. It is somebody using your name!” They were both aware of who. Her brother--prince Murad, second-born to the throne. He was never able to understand her relationship with their father. and now it looked like he had intended to set her up.


Chapter 6: The Night of Broken Stars

On the following night the skies were red. Above Lahore a blood moon was glowing, as the manuscript had predicted. Within the palace the Emperor had been seized with a violent illness, to which the food had been impregnated with the crushed poppy and ashes. The guards of the city poured in and started arresting people, and Mira went under palace arrest. There was one thing Zameer could do--give the manuscript to the most trusted of the viziers of the Emperor, Nawab Ashraf. However, when he came into the chamber of vizier he beheld something that made his blood turn cold. Nawab Ashraf had already gone through the manuscript. It is too late, said the vizier, smiling. Did you think you alone were witty Enough to follow its ink? Zameer drew back. You have poisoned the Emperor? I did no more than open the gate, he said. The traitors passed on by themselves. Then he beat Zameer about the head with a jewelled cane. When the blood came to his eyes he saw the manuscript fall out of his hand--and burn in the fireplace.


Chapter 7: The Last Voice

Zameer woke up in a jail underneath the palace. His head pounded, his body pained and across the cell was someone he never expected to see--Princess Mira. The manuscript was lost, the evidence burnt away, she had been convicted of treason. I have failed you, said Zameer. Mira smiled a little. And what you told me was true. That is more than most rulers ever had.” Zameer crawled nearer. Nothing is left of the flower one gave to Farhad, have you? She nodded. It is in me. Then all was not lost, he leaned and whispered. There in the petals of the dried jasmine Zameer had torn out before the vizier had stolen it there was a slip of the manuscript that might serve to prove the plot. Enough to acquit Mira. And who would take credence of them?


Chapter 8: The Emperor’s Dream

However, still alive, emperor Shah Jahan suffered in his fever and saw visions. A white woman. A youngster with ink-stained hands. His concubines referred to it as insanity. His priests referred to it as divine. But the Emperor regarded it as memory. He sent to bring out both prisoners to him. And Mira kneeled at her father and talked of truth, of poetry, of treason in the darkness at his court. Next Zameer moved, trembling, and held the fragment of manuscript, which he displayed in the jasmine. The eyes of the Emperor opened. He had the smell recalled. The flower was the same that his late Empress Mumtaz wore. He said, with a sigh, I believe you. And with that the tables turned.


Chapter 9: The Fall of the Vizier

At daybreak Nawab Ashraf and Prince Murad were taken. There were secret passages in their rooms and they had maps, poisons and intercepted letters. And the Emperor who was still feeble promulgated a royal edict in which he exonerated Mira, and appointed Zameer the historian of the court. The marble halls Zameer was walking in were the first in his life, and he was not a servant anymore, he was a witness of truth. The paper had been burnt. But the truth, which it contained, had already been communicated. Zameer started his own version. The Midnight Manuscript: As Remembered by the One Who Was meant to Forget.


Chapter 10: The Ink Never Fades

Years passed. Lahore was back to peace. The Emperor became aged, and Mira assumed the direction of most of the affairs of court, a silent queen, excepting in name. Zameer remained with her, and he wrote not only history, but the feeling that existed between the lines. The two never got married. But they loved, in love deep and name-less. He wrote every night. And each morning she read. On the last day of his life when his hands were no longer able to hold a pen, he said, in a small voice, The ink… did not fade. Mira smiled and tears came. “No, Zameer. It will never.



***** THE END *****

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